Art for the body, soul, and spirit of the organization

The art portfolio, sensitively tailored by curator Bára Alex Kašparová, is inspired by the qualities and values of Czech Crunch.

Six carefully selected works by three renowned young artists – Zuzana Badinková, Michal Pustějovský, and Jakub Sýkora – capture the complexity of technological, philosophical, and social themes through their simplicity, much like Czech Crunch effortlessly and insightfully presents a comprehensive picture of the contemporary world.

The purity, precision, and minimalist concept of the works reflect the principles of Czech Crunch not only in content production, but also in the company's broader impact and its commitment to focusing on essence and quality. The ability of these works to offer various interpretations inspired by technologies, processes, and situations highlights Czech Crunch's openness to innovation, new perspectives, and the courage to take risks in pushing the boundaries of its knowledge, business, and value delivery to clients.

Thus, the art portfolio celebrates the connection between technology, aesthetics, and innovative and creative approaches to problem-solving, thereby setting out to mirror the spirit of the Czech Crunch team.

Michal Pustějovský

Michal Pustějovský's (1989, Frýdek-Místek) flat hanging aluminium objects serve as an ideal visual parallel to the Czech Crunch portal – a modern source of information. Aluminium, acting as a conductor in microelectronics and a medium for image transmission, symbolises technological connectivity here. Pustějovský's works fascinate with their minimalist yet changeable appearance, which reacts to light and alters the atmosphere of a space. They influence their surroundings non-invasively yet significantly – just as various perspectives shape the topics on Czech Crunch.

Zuzana Badinková

The work of Zuzana Badinková (born 1990 in Dětva, Czechoslovakia) brings a colorful element to the curatorial lineup while exploring the relationship between the pictorial medium, technological platforms, and human perception. For her, the image represents a depersonalized experimental situation—a purely relational game between a visual phenomenon and its perception.

Her approach is characterized by formal reduction, non-contact morphology, and a thoroughly considered pictorial whole that invites observation. Devoid of emotion or exaltation, yet with precision and a human dimension, she connects the operational functions of technology with the act of human decision-making. The result is a visual oscillation between intention, concept, and program—much like information that only acquires meaning within context.

Jakub Sýkora

Jakub Sýkora (1984, Rakovník) combines graphic thinking, schematic design, and connectivity into a unique visual language. His paintings work with structural arrangement, where the repetition and variation of signs become a sort of coded message—programmed compositions that nevertheless feature error as an imprint of human presence.

Although his compositions appear technical, they actually disrupt the mechanical language of programming and design, making room for the poetics of painting. This dialogue between structure and the human element naturally resonates with the Czech Crunch platform, where technology intertwines with creativity and innovation.